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There's a standard multi‑mode which gives you the biggest choice of filter shapes. Each filter can work in a number of modes. The two filters can be routed parallel or serial, again via a variable control which allows for blending between the two. The Analog engine doesn't feel as developed as the Wavetable engine, but when you consider that stacking two of them will give you a six‑oscillator monster, it's still no slouch.īoth oscillators have a variable mix output to send the signal to Filter 1 or Filter 2 or anywhere in between. There's also a Noise source which is variable between red, white and blue (how very French!) and a Modulation section which allows you to frequency modulate with a blend of osc 3 and the Noise source. The Analog engine is fairly predictable by comparison, comprising three oscillators which offer sine, triangle, sawtooth or square waveforms. Overall, the wavetable oscillator design is excellent and capable of producing a wide variety of tones. Arturia pigments 2. plus#There's also a Unison mode with up to eight voices, plus a 'modulator' oscillator, which can used either as a straight analogue-style oscillator or as a modulator for the various frequency and phase modulation options. Further timbral mangling is possible with linear or exponential frequency modulation, phase modulation, phase distortion and wavefolding. There's a lovely graphical representation of the wavetable available in either 2D or 3D, which shows the wavetable position very clearly. The star of the show is the Wavetable engine, which comes with around 120 wavetables in five different categories, plus the option to import your own. ![]() Arturia pigments 2. Patch#SynthĪ patch is made up of two engines, which can be in either Wavetable or Analog mode. Overall the included presets are excellently curated and the preset designers have done a great job of showing what the synth is capable of, although it would have been nice if more of them used aftertouch. There's even a feature called 'Sound design tips' in which sound designers can highlight certain controls which work well with the current sound. Each preset contains a description from the sound designer, which often includes details on what the four Macro controls do, as well as any peculiarities inherent to that particular sound. The preset browser will assist in navigation using a combination of categories, tags, favourites, playlists and a search function. The first order of business after installing any new instrument is to peruse a few presets - over six hundred are included. The bottom half is permanently dedicated to modulation sources, which are deep and plentiful. The top half of the screen can display Synth, Effects and Sequencer. The interface is clean and well designed with nice use of colour to differentiate between modulation sources. For that you can look at Arturia's other offerings.Īfter installation and authorisation Pigments will prompt you to set up your audio and MIDI settings and then you're ready to go. It can do virtual analogue too, but it does not focus on faithful recreation of analogue timbres. Fundamentally, Pigments is a wavetable synth. Not something you'll master in one evening, but something that could become a go-to instrument for a wide variety of sounds. It is what I like to call a 'big synth' (OK, not the most inspired name): a behemoth that bestows many tools on the sound designer. Arturia pigments 2. mac os x#Pigments is a plug-in and stand-alone instrument available on Windows and Mac OS X in all the usual formats. Storm has long since been retired, but now Arturia are returning to their roots with a software synthesizer entirely of their own design. Since then they've successfully moved into the hardware market with synths, drum machines, MIDI controllers and audio interfaces. Arturia pigments 2. software#Their first product was a complete software music studio called Storm, but it wasn't until they began to focus on software recreations of classic hardware synths such as the Sequential Circuits Prophet 5, Roland Jupiter 8, ARP 2600 and Moog Minimoog that the company really took off. Here we can see LFO 2, in yellow, is modulating Wavefolding Amount and Filter 2 Frequency Shift.Īrturia built their reputation on software recreations of classic synths, now they're back with one of their own.Īrturia have been in the virtual instrument business for 20 years. Pigments isn't just a pretty name, it makes excellent use of colour to differentiate modulation sources. ![]()
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